Friends of Calligraphy offers classes and workshops
that meet the needs of those beginning calligraphy as well as those who are ready for more advanced techniques. FOC workshops are open to current FOC members. Basic calligraphy classes at Fort Mason are open to the public. They are sponsored by FOC, and taught by FOC members. Also listed below are classes by FOC members who teach in and around the San Francisco Bay Area. They are not sponsored by FOC, but are listed here as a courtesy to our members. Please contact individual instructors for details.

FRIENDS OF CALLIGRAPHY WORKSHOPS

Information about our upcoming workshops will be posted shortly . . .

FRIENDS OF CALLIGRAPHY Fort Mason Classes

Open to the public, these classes are meant for beginners and for scribes who wish to continue improving their skills. Basic supplies required by each student include: black ink such as Higgins Eternal, all sizes of Brause pen nibs, one or two pen holders, pencil and eraser, 18 or 24 inch metal ruler, notebook, cotton rag, a small water jar. There may be additional supplies specified by each instructor and are listed after each class description in the Fort Mason brochure. (Download pdf brochure for 2019)

Calligraphy supplies, especially Brause pen nibs, can be difficult to find. Call or visit your local art supply stores, such as Arch, Dick Blick, Castle in the Air, Flax. If they don’t have what you need, contact the calligraphy mail order vendors:

John Neal Bookseller, 1-800-369-9598 • www.johnnealbookseller.com
or
Paper & Ink Arts, 1-800-736-7772 • www.paperinkarts.com

Please register for any class at least six weeks in advance. Class size is limited to 16. You will be notified by the Fort Mason Class Registrar if you have a place in the class or are on the wait list. Payment of tuition is necessary to hold your place on a wait list. If you need to withdraw, a full refund will be issued 14 days before the class begins. Otherwise the tuition fee is forfeited unless a wait-listed student can take your place.

Classes will be held at:

Alliance Française
1345 Bush St, San Francisco, CA 94109
Albany Senior Center
846 Masonic Ave, Albany, CA 94706
Fort Mason
2 Marina Blvd, San Francisco, CA 94123
Free parking outside the gate and metered parking within.

Copperplate
Raoul Martinez, instructor
Alliance Française • Seven Wednesday evenings • 6:30—9:00 pm
January 9, 16, 23, 30, February 6, 13, 20
$150 FOC members / $170 non-members

Select one:

Special instructions for FOC:

Copperplate, an elegant, flowing script, delights the eye with its hairlines, bold swelling strokes, and repeating ovals. It traces its roots back to 17th century Italy. Its name comes from the etched copper plates that were used to print copybooks. Immortalized by George Bickham in The Universal Penman, it is still used today for formal occasions and anything that calls for refined elegance. In this class, students will study the pressure and release principle, the basic strokes and the lowercase and uppercase letter-forms.
All levels of lettering experience are welcome.

Supplies: Paper, pens and ink can be purchased at the first class for up to $40. Please bring a slant board (any stiff, smooth board minimum 18 x 20) and paper towels to class.

Raoul Martinez had an informal exposure to calligraphy while he was in college. In 2009, his interest was rekindled by the Kalligraphia exhibit. He started taking classes offered by Atelier Gargoyle and Friends of Calligraphy, where he fell in love with Copperplate. Raoul’s artwork has been shown at the San Francisco Public Library, Filoli, the Presentation Center and the Sebastopol Center for the Arts. For examples of his work see CalligraphybyRaoul.com.

Roman Capitals
Chris McDonald, instructor
Albany Senior Center • Seven Saturday mornings • 10 am—12:30 pm
March 2, 9, 16, 23, 30 April 13, 20
$150 FOC members / $170 non-members

Select one:

Special Instructions to FOC:

Classical Roman capitals, most famously represented by the inscription at the base of Trajan’s Column carved almost 2000 years ago, have long stood as a high point in the aesthetic development of our alphabet and a vital source of inspiration for calligraphers, typographers, stone carvers, sign writers and other lettering artists. Aimed at beginning students, the course offers an orientation to the broad-edged pen via the classical proportions and basic forms of this enduring lineage. Key principles of spacing and layout will be emphasized, while progressive variations of serifs and terminals will be introduced.
All levels of lettering experience are welcome.

Supplies: Basic Supplies, plus Gilbert Bond 25% cotton 11 x 17 plain practice paper pad; Speedball C-2 pen nibs; 4B pencil and pencil sharpener; plastic eraser; 24-inch metal ruler (not cork backed); 24-inch T-square; large triangle (with long edge of at least 16 inches); calligraphy easel, drawing board or slant board (20 x 26 inch recommended); drafting tape; cotton rag; and small water jar.

Chris McDonald began practicing calligraphy in 2008. He has studied with several local calligraphers, primarily via the introductory classes and workshops offered by the Friends of Calligraphy. A proud Fort Mason “alumnus,” Chris enjoys introducing new students to the practice of calligraphy and otherwise helping to cultivate the Bay Area’s rich heritage within the tradition of this inspiring craft.

Gothicized Italic
Meredith Klein, instructor
Fort Mason • Seven Tuesday evenings • 6:30–9:00 pm
April 16, 23, 30, May 7, 14, 21, 28
$150 FOC members / $170 non-members

Select one:

Special Instructions to FOC:

Created by Edward Johnston in the early 1900s, Gothicized Italic is not actually italic. Based on 14th century Batarde (which blends elements of gothic cursive with formal textura), Johnston elongated the historical forms. In England it is called Johnston’s Compressed Hand. Combining the density of blackletter with a liveliness that comes from its rounded forms and gothic window/wineglass interior shapes, the beauty and rhythm of this hand make it perfect for invitations, certificates, poems, quotations and other work.
Some knowledge of the broad nib is helpful, but all levels of experience are welcome.

Supplies: Basic Supplies, plus a 14 x 17-inch pad of layout bond paper. We will use Speedball C-1 and C-2 nibs instead of Brause nibs.

Meredith Klein fell in love with blackletter in high school. She studied the “black” hands for four years with Ward Dunham and Linnea Lundquist, and studied Gothicized Italic with Sheila Waters. She has taught at Trivial Pursuits, been a guest instructor at Janice Braun’s History of the Book class at Mills College, and gives private lessons. Her work has appeared in Bound & Lettered and Alphabet. Her calligraphy was used for Swords & Angels, a limited edition artist book, in 2016.

Versals
Rick Paulus, instructor
Fort Mason • Four Saturday mornings • 10 am–1 pm
September 7, 14, 21, 28
$105 FOC members / $120 non-members

Select one:

Special instructions to FOC:

Versals, those beautiful, capital letters which indicate the beginning of bodies of text have drawn our eyes to the page for centuries. Versals are typically colorful, often decorated, and always full of life, no matter how simply drawn. Beginning with a simple analysis of the Roman alphabet, participants in this class will be gently guided through the process of developing their very own constructed, or drawn, Versal letters.
Some knowledge of the broad nib is helpful, but all levels of experience are welcome.

Supplies: Basic Supplies, plus slant board (18 x 20 inch recommended); gouache; watercolor; old “retired” small brush for mixing (can be poor quality); layout bond paper; 1 sheet of quality writing paper; 12” roll of tracing paper; artist tape; X-Acto knife; T-square & 90° Triangle recommended but not required.

Rick Paulus has been a calligrapher and a teacher for over forty years. Rick apprenticed for several years at the legendary Tolley Studios, in Washington, DC, before becoming the engrosser for the US State Department. In 1998, he was appointed chief calligrapher of the White House, where he remained for two presidents. Today, Rick enjoys calligraphic explorations from his studio nestled in the coastal hills of Sonoma County.

Italic
Melissa Titone, instructor
Fort Mason • Seven Tuesday evenings • 6:30–9:00 pm
October 8, 15, 22, 29, November 5, 12, 19
$150 FOC members / $170 non-members

Select one:

Special instructions to FOC:

The Italic script appeared in Italy during the Renaissance, and is currently one of the most popular alphabets used by calligraphers. The practical uses for this timeless hand are virtually endless. You can letter poems, menus, invitations, envelopes, etc. and personalize anything on which you can write. In this broad-edged pen class, the Italic upper and lower case letters, numbers, punctuation, and spacing will be taught. A cornucopia of delicious lettering examples will inspire ideas for using this elegant hand.
All levels of lettering experience are welcome.

Supplies: This instructor prefers that everyone use the same supplies, which can be purchased at the first class for approximately $25.

Melissa Titone has owned a freelance calligraphy business since 1988, doing everything from wedding invitations to commercial lettering. She enjoys teaching children and adults, both privately and in workshops and classes. Her work has been published in several books, including Greeting Card Design, The Speedball Textbook, American Corporate Identity, Letterheads Gone Digital, The Artful Letter Engagement Calendar and 100 New York Calligraphers. She was co-director of The Passionate Pen, 2015 International Calligraphy Conference.

Friends of Calligraphy Lecture

There are no lectures scheduled at this time.

MEMBERS WHO TEACH

San Francisco:

Thomas Ingmire • Call 415.673.4938.
International Calligraphy Correspondence Program. Classes at all levels.
CPA-HO, 1040A Filbert Street, San Francisco, CA 94133

Raoul Martinez
Copperplate and blackletter classes for beginning, intermediate and advanced students.

Ann Miller • Call 650 558-8270
Calligraphy and Letterform. Advanced Calligraphy.

East Bay:

Patricia Coltrin • Call 510 524-5208

Georgianna Greenwood • Call 510.841.6924

Meredith Klein • Call 510.205.1119

Kaori Ogawa

Antonia (Nini) Smith • Call 510 526-7249
Year-round classes at Piedmont Adult School

Erma Takeda• Call 925.284.7368

Carla Tenret • Call 510.526.1214
Year round classes at Albany Community Center

South Bay:

Melissa Dinwiddie • Call 650.938.3939
Calligraphy, book arts, and illumination

Sara Loesch Frank • Call 408.446.3397
Ongoing calligraphy classes for beginners and intermediates.

Marian Gault • Call 408.395.8026

Ann Thompson • Call 408.378.6965

Marin County:

JoAnn Burchfiel Brand • Call 415.924.2625

Jody Meese • Call 415.272.3612

Mendocino:

Judy Detrick • Call 707.964.9276
Ongoing classes at all levels.

Sonoma County:

Christine Renden Haggarty
Ongoing classes in Asian calligraphy for beginners and intermediates.

Sherrie Lovler • Call 707.528.1723.
Calligraphic Book Hand for Book Artists.

Rick Paulus • Call 774.323.0050

Melissa Titone • Call 707. 573.3810
Ongoing classes and private lessons in Santa Rosa.

Yolo County:

Sumner Stone
Type design workshops in Rumsey, CA

Santa Cruz/Monterey/Carmel:

Debra Ferreboeuf • Call 831 655-4311

Carolyn Fitz • Call 831 335-2886

Ruth Korch
Art and calligraphy classes in the Santa Cruz area

Kern County:

Chris Paschke •Call 661 821-2188
Ongoing classes at all levels in Tehachapi

Reno/Tahoe:

Carol Pallesen • Call 775 329-6983
Ongoing classes in calligraphy and book arts

New Mexico:

Bill Kemp • Call 505 235-4983
Teaching and tutoring in Albuquerque

Online:

Ann Miller • Call 650 558-8270
Calligraphy and Letterform. Advanced Calligraphy. Two accredited Online courses through San Francisco Academy of Art University

Harvest Crittenden • Call 517 545-3031
Online classes in Spencerian, Flourishing, Copperplate and Photoshop for Calligraphers.

Meilissa Esplin
Brush lettering, gestural pointed pen, and chalk lettering.