Friends of Calligraphy offers classes and workshops
that meet the needs of those beginning calligraphy as well as those who are ready for more advanced techniques. FOC workshops are open to current FOC members. Basic calligraphy classes at Fort Mason are open to the public. They are sponsored by FOC, and taught by FOC members. Also listed below are classes by FOC members who teach in and around the San Francisco Bay Area. They are not sponsored by FOC, but are listed here as a courtesy to our members. Please contact individual instructors for details.

FRIENDS OF CALLIGRAPHY WORKSHOPS

Calligraphy Patterns & Decorative Borders
(Download the pdf flyer)
Kathy Milici, instructor
Friday, February 22, 2019 • 9:30 am – 4:30 pm
Fort Mason Center • 2 Marina Blvd, San Francisco
$90 for FOC members

Complete registration instructions are in the PDF flyer

Select one:

Special instructions to FOC:

In this one-day workshop, we move beyond letterforms into patterned edges, simply constructed borders, and linear decoration. You will learn how to enhance and add flair to finished artwork using broad-edged markers and watercolors. Students will explore a wide variety of examples, as well as create their own organic designs and architectural repetition.

Kathy Milici is an internationally known calligrapher, designer, teacher and author. Kathy is honored to be a professional calligrapher and teacher for nearly 40 years, who still enjoys her lifelong passion for “everything calligraphy.” Her work has been seen in calligraphy and design books, national magazines and television. She’s a teacher for the Society of Scribes, New York City, and an instructor at national and international calligraphy conferences, including IAMPETH. She is the originator of Gratitude Script, a modern typeface.

Modern Storybook Script
(Download the pdf flyer)
Kathy Milici, instructor
Saturday & Sunday, February 23—24, 2019 • 9:30 am – 4:30 pm
South Berkeley Senior Center • Berkeley
$180 for FOC members

Complete registration instructions are in the PDF flyer

Select one:

Special instructions to FOC:

A charming, casual, upright, easy script with a fresh, modern twist to the traditional alphabet. In this two-day workshop, you’ll learn a series of simple strokes that form this whimsical yet elegant alphabet. You will have a new, useful and versatile alphabet style that is easy to make uniquely yours! We will explore the creation of a successful and balanced layout using the elements of composition, spacing and proportion.

Kathy Milici is an internationally known calligrapher, designer, teacher and author. Kathy is honored to be a professional calligrapher and teacher for nearly 40 years, who still enjoys her lifelong passion for “everything calligraphy.” Her work has been seen in calligraphy and design books, national magazines and television. She’s a teacher for the Society of Scribes, New York City, and an instructor at national and international calligraphy conferences, including IAMPETH. She is the originator of Gratitude Script, a modern typeface.

An Alphabet Book
(Download the pdf flyer)
Julie Wildman, instructor
Saturday & Sunday, April 6-7, 2019 • 9:30 am – 4:30 pm
Albany Senior Center • Albany
$180 for FOC members; $210 for non-members
There will be a $20 materials fee

Complete registration instructions are in the PDF flyer

This class is full and a waiting list has begun. You must register to be put on the waiting list. If no space becomes available, you will receive a refund.

Select one:

Special instructions to FOC:

In this class, students will be led through a series of exercises that will result in all sorts of creative ways to make letters. Using traditional as well as unusual tools, students may work on creating either a cohesive alphabet or do an alphabet with a different style for each letter. We will then assemble a simple accordion-fold book and students may write their letters directly on the book paper, or paste in their letters. Their alphabets may be done in black and white, or in color.

Julie Wildman is a graphic designer, artist, calligrapher, and teacher. She graduated with a BA in graphic design from Chicago’s Columbia College and now works from her home studio near Chicago. Her calligraphic journey began in the late ‘80s after a friend gave her Timothy Botts’ book Doorposts, where she saw the written word illustrated as she had never seen before. The journey continued in 1998 with Reggie Ezell’s class, and membership in the Chicago Calligraphy Collective soon after.

FRIENDS OF CALLIGRAPHY Fort Mason Classes

Open to the public, these classes are meant for beginners and for scribes who wish to continue improving their skills. Basic supplies required by each student include: black ink such as Higgins Eternal, all sizes of Brause pen nibs, one or two pen holders, pencil and eraser, 18 or 24 inch metal ruler, notebook, cotton rag, a small water jar. There may be additional supplies specified by each instructor and are listed after each class description in the Fort Mason brochure. (Download pdf brochure for 2019)

Calligraphy supplies, especially Brause pen nibs, can be difficult to find. Call or visit your local art supply stores, such as Arch, Dick Blick, Castle in the Air, Flax. If they don’t have what you need, contact the calligraphy mail order vendors:

John Neal Bookseller, 1-800-369-9598 • www.johnnealbookseller.com
or
Paper & Ink Arts, 1-800-736-7772 • www.paperinkarts.com

Please register for any class at least six weeks in advance. Class size is limited to 16. You will be notified by the Fort Mason Class Registrar if you have a place in the class or are on the wait list. Payment of tuition is necessary to hold your place on a wait list. If you need to withdraw, a full refund will be issued 14 days before the class begins. Otherwise the tuition fee is forfeited unless a wait-listed student can take your place.

Classes will be held at:

Albany Senior Center
846 Masonic Ave, Albany, CA 94706
Fort Mason
2 Marina Blvd, San Francisco, CA 94123
Free parking outside the gate and metered parking within.

Roman Capitals
Chris McDonald, instructor
Albany Senior Center • Seven Saturday mornings • 10 am—12:30 pm
March 2, 9, 16, 23, 30 April 13, 20
$150 FOC members / $170 non-members

Select one:

Special Instructions to FOC:

Classical Roman capitals, most famously represented by the inscription at the base of Trajan’s Column carved almost 2000 years ago, have long stood as a high point in the aesthetic development of our alphabet and a vital source of inspiration for calligraphers, typographers, stone carvers, sign writers and other lettering artists. Aimed at beginning students, the course offers an orientation to the broad-edged pen via the classical proportions and basic forms of this enduring lineage. Key principles of spacing and layout will be emphasized, while progressive variations of serifs and terminals will be introduced.
All levels of lettering experience are welcome.

Supplies: Basic Supplies, plus Gilbert Bond 25% cotton 11 x 17 plain practice paper pad; Speedball C-2 pen nibs; 4B pencil and pencil sharpener; plastic eraser; 24-inch metal ruler (not cork backed); 24-inch T-square; large triangle (with long edge of at least 16 inches); calligraphy easel, drawing board or slant board (20 x 26 inch recommended); drafting tape; cotton rag; and small water jar.

Chris McDonald began practicing calligraphy in 2008. He has studied with several local calligraphers, primarily via the introductory classes and workshops offered by the Friends of Calligraphy. A proud Fort Mason “alumnus,” Chris enjoys introducing new students to the practice of calligraphy and otherwise helping to cultivate the Bay Area’s rich heritage within the tradition of this inspiring craft.

Gothicized Italic
Meredith Klein, instructor
Fort Mason • Seven Tuesday evenings • 6:30–9:00 pm
April 16, 23, 30, May 7, 14, 21, 28
$150 FOC members / $170 non-members

Select one:

Special Instructions to FOC:

Created by Edward Johnston in the early 1900s, Gothicized Italic is not actually italic. Based on 14th century Batarde (which blends elements of gothic cursive with formal textura), Johnston elongated the historical forms. In England it is called Johnston’s Compressed Hand. Combining the density of blackletter with a liveliness that comes from its rounded forms and gothic window/wineglass interior shapes, the beauty and rhythm of this hand make it perfect for invitations, certificates, poems, quotations and other work.
Some knowledge of the broad nib is helpful, but all levels of experience are welcome.

Supplies: Basic Supplies, plus a 14 x 17-inch pad of layout bond paper. We will use Speedball C-1 and C-2 nibs instead of Brause nibs.

Meredith Klein fell in love with blackletter in high school. She studied the “black” hands for four years with Ward Dunham and Linnea Lundquist, and studied Gothicized Italic with Sheila Waters. She has taught at Trivial Pursuits, been a guest instructor at Janice Braun’s History of the Book class at Mills College, and gives private lessons. Her work has appeared in Bound & Lettered and Alphabet. Her calligraphy was used for Swords & Angels, a limited edition artist book, in 2016.

Versals
Rick Paulus, instructor
Fort Mason • Four Saturday mornings • 10 am–1 pm
September 7, 14, 21, 28
$105 FOC members / $120 non-members

This class is full and a waiting list has begun. You must register to be put on the waiting list. If no space becomes available, you will receive a refund.

Select one:

Special instructions to FOC:

Versals, those beautiful, capital letters which indicate the beginning of bodies of text have drawn our eyes to the page for centuries. Versals are typically colorful, often decorated, and always full of life, no matter how simply drawn. Beginning with a simple analysis of the Roman alphabet, participants in this class will be gently guided through the process of developing their very own constructed, or drawn, Versal letters.
Some knowledge of the broad nib is helpful, but all levels of experience are welcome.

Supplies: Basic Supplies, plus slant board (18 x 20 inch recommended); gouache; watercolor; old “retired” small brush for mixing (can be poor quality); layout bond paper; 1 sheet of quality writing paper; 12” roll of tracing paper; artist tape; X-Acto knife; T-square & 90° Triangle recommended but not required.

Rick Paulus has been a calligrapher and a teacher for over forty years. Rick apprenticed for several years at the legendary Tolley Studios, in Washington, DC, before becoming the engrosser for the US State Department. In 1998, he was appointed chief calligrapher of the White House, where he remained for two presidents. Today, Rick enjoys calligraphic explorations from his studio nestled in the coastal hills of Sonoma County.

Italic
Melissa Titone, instructor
Fort Mason • Seven Tuesday evenings • 6:30–9:00 pm
October 8, 15, 22, 29, November 5, 12, 19
$150 FOC members / $170 non-members

Select one:

Special instructions to FOC:

The Italic script appeared in Italy during the Renaissance, and is currently one of the most popular alphabets used by calligraphers. The practical uses for this timeless hand are virtually endless. You can letter poems, menus, invitations, envelopes, etc. and personalize anything on which you can write. In this broad-edged pen class, the Italic upper and lower case letters, numbers, punctuation, and spacing will be taught. A cornucopia of delicious lettering examples will inspire ideas for using this elegant hand.
All levels of lettering experience are welcome.

Supplies: This instructor prefers that everyone use the same supplies, which can be purchased at the first class for approximately $25.

Melissa Titone has owned a freelance calligraphy business since 1988, doing everything from wedding invitations to commercial lettering. She enjoys teaching children and adults, both privately and in workshops and classes. Her work has been published in several books, including Greeting Card Design, The Speedball Textbook, American Corporate Identity, Letterheads Gone Digital, The Artful Letter Engagement Calendar and 100 New York Calligraphers. She was co-director of The Passionate Pen, 2015 International Calligraphy Conference.

Friends of Calligraphy Lecture

Visual Poetry: A Lyrical Twist
Thomas Ingmire Calligraphy and Poetry in Collaboration
Exhibition Walk-throughs with Thomas Ingmire

Saturday, December 8, 10:30am – Noon
Saturday, January 19, 10:30am – Noon
Saturday, February 2, 10:00am – Noon
Saturday, February 9, 10:30am – Noon

Jewett Gallery
San Francisco Public Library, Main Branch, Lower Level
100 Larkin St, San Francisco, CA 94102

The works in the Visual Poetry exhibit are the result of Thomas Ingmire’s collaboration with
eleven poets. During the walk-throughs, Thomas will describe the concept and processes that
were involved in the project. While the poets were presented with the same guidelines of
collaboration, their interpretations varied, many in unexpected ways, a factor that led to a rich
variety of calligraphic interpretations. This will be the focus of the discussions.
Note: The SF Public Library will not make videos of the walk-throughs.

A Space of Grace: The Secret Gifts of Calligraphy,
An Illustrated Lecture by Kathy Milici

Thursday, February 21, 2019
6:30 – 8:30 pm
Flax Art & Design
1501 Martin Luther King Jr Way, Oakland, CA 94612
Contact: Evelyn Eldridge

What is the magic that draws us to calligraphy? What are the secrets behind learning together as a group? What makes calligraphy a worthy, admirable and deeply rewarding practice? Join Kathy as she shares insights into her personal path to self-discovery and the gifts she’s received as a teacher, artist, and calligrapher for over 40 years. Some stories are funny, some poignant, but they are always powerful and thought provoking, and their lessons enduring. Click here for the flyer.

MEMBERS WHO TEACH

San Francisco:

Thomas Ingmire • Call 415.673.4938.
International Calligraphy Correspondence Program. Classes at all levels.
CPA-HO, 1040A Filbert Street, San Francisco, CA 94133

Raoul Martinez
Copperplate and blackletter classes for beginning, intermediate and advanced students.

Ann Miller • Call 650 558-8270
Calligraphy and Letterform. Advanced Calligraphy.

East Bay:

Patricia Coltrin • Call 510 524-5208

Georgianna Greenwood • Call 510.841.6924

Meredith Klein • Call 510.205.1119

Kaori Ogawa

Antonia (Nini) Smith • Call 510 526-7249
Year-round classes at Piedmont Adult School

Erma Takeda• Call 925.284.7368

Carla Tenret • Call 510.526.1214
Year round classes at Albany Community Center

South Bay:

Melissa Dinwiddie • Call 650.938.3939
Calligraphy, book arts, and illumination

Sara Loesch Frank • Call 408.446.3397
Ongoing calligraphy classes for beginners and intermediates.

Marian Gault • Call 408.395.8026

Ann Thompson • Call 408.378.6965

Marin County:

JoAnn Burchfiel Brand • Call 415.924.2625

Jody Meese • Call 415.272.3612

Mendocino:

Judy Detrick • Call 707.964.9276
Ongoing classes at all levels.

Sonoma County:

Christine Renden Haggarty
Ongoing classes in Asian calligraphy for beginners and intermediates.

Sherrie Lovler • Call 707.528.1723.
Calligraphic Abstract Painting.

Rick Paulus • Call 774.323.0050

Melissa Titone • Call 707. 573.3810
Ongoing classes and private lessons in Santa Rosa.

Yolo County:

Sumner Stone
Type design workshops in Rumsey, CA

Santa Cruz/Monterey/Carmel:

Debra Ferreboeuf • Call 831 655-4311

Carolyn Fitz • Call 831 335-2886

Ruth Korch
Art and calligraphy classes in the Santa Cruz area

Kern County:

Chris Paschke •Call 661 821-2188
Ongoing classes at all levels in Tehachapi

Reno/Tahoe:

Carol Pallesen • Call 775 329-6983
Ongoing classes in calligraphy and book arts

New Mexico:

Bill Kemp • Call 505 235-4983
Teaching and tutoring in Albuquerque

Online:

Ann Miller • Call 650 558-8270
Calligraphy and Letterform. Advanced Calligraphy. Two accredited Online courses through San Francisco Academy of Art University

Harvest Crittenden • Call 517 545-3031
Online classes in Spencerian, Flourishing, Copperplate and Photoshop for Calligraphers.

Meilissa Esplin
Brush lettering, gestural pointed pen, and chalk lettering.